BBC's "Sherlock" Series

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Shennifer
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Post by Shennifer »

bookworm wrote:
Shennifer wrote:I gather that it was different in the Final Problem.
Only entirely.
In the book there is no plot to discredit Holmes, Moriarty simply wants to kill him. Sherlock escapes successive assassins until he finally meets up with Moriarty himself, they fight on a cliff, and both go over.
He did want to kill Sherlock; he just wanted to discredit him too. (But I get your point, and I appreciate your passion for the original story)

Shennifer wrote:And I'm curious as to your thoughts on the rest of them.
bookworm wrote:As Holmes stories? They were fine. Some, like Hounds, even great. I don’t care about them that way really, because they’re just passing cases, you can take or leave them. If they change some ideas to put their own spin on it, that’s up to them. But The Final Problem is a cornerstone story, an extreme liberty like destroying Sherlock Holmes’ reputation is totally out of line.
gotcha. I've read other people's opinions about how they didn't like some of the other episodes compared to the original stories (like the Scandal in Belgravia episode), so I wondered if you felt the same way. clearly you don't but I still thought I'd ask.
Last edited by Shennifer on Fri Jul 26, 2013 2:48 pm, edited 1 time in total.
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Post by bookworm »

Just found this:
Wikipedia wrote:Moffat felt that he and co-creator Gatiss had outdone Conan Doyle in their version of Holmes' fall
That makes me angry. It’s so arrogantly short sighted. On the surface, yes they did outdo the original. By far. They took the literal downfall and made it include a metaphorical one. However, that’s exactly why it was terrible! Doyle could have done that too if he wanted to, but he didn’t. As I said, it was not meant to be the end of Sherlock’s reputation, only of his life.
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Post by Aeva »

I suppose we'll just have to agree to disagree on this one, bookworm. :- Having read "The Final Problem," I actually found Moffat's expansion of the story (to include the metaphorical fall) to to be an excellent adaptation. With all the slander and libel that flies around in this modern world, I think destroying Sherlock's reputation (and thus his legacy) was appropriate.
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Post by bookworm »

I think you may be misunderstanding what I’m taking issue with.
I agree it was a reasonable reimagining. As I said, if this were any other detective show I wouldn’t have given it a second thought. The problem with this reimagining of this story isn’t the new circumstances of the situation, but the situation itself. Sherlock Holmes is the single most iconic and sacred detective figure in literary history. To destroy his reputation like this is pretty much sacrilege.
So the problem isn’t what they did, but who they did it to. This villainous plot is an idea worthy of Moriarty, indeed; but no writer is worthy enough to make it actually become reality.
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Post by Amethystic »

What, is there some sort of scale of worthiness that a writer must score upon in order to be allowed to explore themselves creatively? :anxious:
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Post by bookworm »

Uh, yeah. If the character is this iconic, you don’t do something so bold the actual creator wouldn’t do it.
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Post by Amethystic »

Well 1.) Sir Arthur Conan Doyle is dead, so we can't exactly ask him for his opinion, and 2.) Sherlock as a series is a lot of things, but I hardly think everything about it pre-Reichenbach would've gotten the Doyle stamp of approval. And I mean, my goodness, Sherlock Holmes and company have been re-interpreted and re-imagined so many times, at least this is one of the better interpretations. At the end of the day, Sherlock Holmes now belongs to the public domain; nobody gets to call the shots regarding how his character is used and abused, all we can do is enjoy (or grimace at) all the crazy new Sherlockian lore as best we can.
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Post by Aeva »

bookworm wrote:I think you may be misunderstanding what I’m taking issue with.
I agree it was a reasonable reimagining. As I said, if this were any other detective show I wouldn’t have given it a second thought. The problem with this reimagining of this story isn’t the new circumstances of the situation, but the situation itself. Sherlock Holmes is the single most iconic and sacred detective figure in literary history. To destroy his reputation like this is pretty much sacrilege.
So the problem isn’t what they did, but who they did it to. This villainous plot is an idea worthy of Moriarty, indeed; but no writer is worthy enough to make it actually become reality.
Ahh, I see. I still disagree generally (as you probably deduced I would lol), but I understand what you're saying.

...I suppose that's not entirely helpful for a discussion. :- More specifically, I disagree with this statement that you made:
bookworm wrote:If the character is this iconic, you don’t do something so bold the actual creator wouldn’t do it.
I do feel that being bold can definitely backfire, especially when you are dealing with a figure like Sherlock Holmes. The Reichenbach Fall could have easily gone very wrong; however, I still believe that, in this case, Moffat's courage to do something like this worked out for the best. His bold story was inventive, clever, and worthy of Arthur Conan Doyle, imho. :boohoo: I just happened to glance at that smiley, and I thought it was appropriate. xD
But break my heart, for I must hold my tongue. --Hamlet.
StrongNChrist ~ Remembered Forever <3
Men who kill without reason cannot be reasoned with. --Stoic the Vast
Let's go down together for one more chance. The skeletons are screaming for one last dance. --Hawthorne Heights
Tell 'em turn it up 'til they can't no more. Let's get this thing shakin' like a disco ball. This is your last warning, a courtesy call. --TFK
You have nice manners for a thief and a liar. --Smaug
I know you mean well, but leave me be. Yes, I'm alone, but I'm alone and free. --Elsa
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Post by Shennifer »

Aeva wrote:
bookworm wrote:I think you may be misunderstanding what I’m taking issue with.
I agree it was a reasonable reimagining. As I said, if this were any other detective show I wouldn’t have given it a second thought. The problem with this reimagining of this story isn’t the new circumstances of the situation, but the situation itself. Sherlock Holmes is the single most iconic and sacred detective figure in literary history. To destroy his reputation like this is pretty much sacrilege.
So the problem isn’t what they did, but who they did it to. This villainous plot is an idea worthy of Moriarty, indeed; but no writer is worthy enough to make it actually become reality.
Ahh, I see. I still disagree generally (as you probably deduced I would lol), but I understand what you're saying.

...I suppose that's not entirely helpful for a discussion. :- More specifically, I disagree with this statement that you made:
bookworm wrote:If the character is this iconic, you don’t do something so bold the actual creator wouldn’t do it.
I do feel that being bold can definitely backfire, especially when you are dealing with a figure like Sherlock Holmes. The Reichenbach Fall could have easily gone very wrong; however, I still believe that, in this case, Moffat's courage to do something like this worked out for the best. His bold story was inventive, clever, and worthy of Arthur Conan Doyle, imho. :boohoo: I just happened to glance at that smiley, and I thought it was appropriate. xD
I rewatched this episode today, and it was brilliant and feels-inducing as usual \:D/
and it was written by Steve Thompson, not Moffat (though I'm sure he influenced it)

Off topic: It's funny how I love this show created by Mark Gatiss and Steven Moffat when I don't generally like how Moffat wrote the 11th Doctor and some of the characters surrounding him
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Post by bookworm »

Aeva wrote:I do feel that being bold can definitely backfire, especially when you are dealing with a figure like Sherlock Holmes. The Reichenbach Fall could have easily gone very wrong; however, I still believe that, in this case, Moffat's courage to do something like this worked out for the best. His bold story was inventive, clever, and worthy of Arthur Conan Doyle, imho.
Fair enough, as long as you can understand my angle.
Aeva wrote: :boohoo: I just happened to glance at that smiley, and I thought it was appropriate. xD
It was indeed, nicely done. ;)
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Post by Shennifer »

bookworm, I know you said that the rest of the episodes aren't as important as this one but I'm still curious about your thoughts on them (particularly on Scandal because that episode seems to get a lot of heat from people about how it was different from the original)
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Post by bookworm »

I'll get back to you on that.
In the meantime, look what I just stumbled across:

http://www.johnwatsonblog.co.uk/

That is so awesome!

Edit:

Woah, there's a whole list of them!

http://www.bbc.co.uk/programmes/b018ttw ... disclaimer
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Post by Termite »

...bookworm, I am literally sitting here alternating between squees/shocked silence.

OHMIGOSHICAN'TEVENTHISISSOAAAAAGH!
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Post by Shennifer »

I knew about the John Watson blog, but not about the rest :o
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Post by Aeva »

bookworm wrote:
Aeva wrote:I do feel that being bold can definitely backfire, especially when you are dealing with a figure like Sherlock Holmes. The Reichenbach Fall could have easily gone very wrong; however, I still believe that, in this case, Moffat's courage to do something like this worked out for the best. His bold story was inventive, clever, and worthy of Arthur Conan Doyle, imho.
Fair enough, as long as you can understand my angle.
I definitely do understand your angle. ^_^

And I will love you forever for posting those websites.
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But break my heart, for I must hold my tongue. --Hamlet.
StrongNChrist ~ Remembered Forever <3
Men who kill without reason cannot be reasoned with. --Stoic the Vast
Let's go down together for one more chance. The skeletons are screaming for one last dance. --Hawthorne Heights
Tell 'em turn it up 'til they can't no more. Let's get this thing shakin' like a disco ball. This is your last warning, a courtesy call. --TFK
You have nice manners for a thief and a liar. --Smaug
I know you mean well, but leave me be. Yes, I'm alone, but I'm alone and free. --Elsa
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Post by bookworm »

I cannot process the amazingness of this. :thud:
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Post by Sparrow »

Series three Sherlock teaser. :mad:


John. Mustache. WHY. :mad:
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Post by Shennifer »

Sparrow wrote:Series three Sherlock teaser. :mad:


John. Mustache. WHY. :mad:
I saw that a few hours ago \:D/ *squee*

I don't mind the mustache, actually. I've gotten used to it from pictures I've seen.
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Post by bookworm »

Because of this intriguing article I will have to rewatch the finale. Apparently the answer is there somewhere.
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Post by Shennifer »

bookworm wrote:Because of this intriguing article I will have to rewatch the finale. Apparently the answer is there somewhere.
I've seen a bunch of theories about the finale, but there's no telling which one is the most accurate.
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