bookworm wrote:I think you may be misunderstanding what I’m taking issue with.
I agree it was a reasonable reimagining. As I said, if this were any other detective show I wouldn’t have given it a second thought. The problem with this reimagining of this story isn’t the new circumstances of the situation, but the situation itself. Sherlock Holmes is the single most iconic and sacred detective figure in literary history. To destroy his reputation like this is pretty much sacrilege.
So the problem isn’t what they did, but who they did it to. This villainous plot is an idea worthy of Moriarty, indeed; but no writer is worthy enough to make it actually become reality.
Ahh, I see. I still disagree generally (as you probably deduced I would lol), but I understand what you're saying.
...I suppose that's not entirely helpful for a discussion.
![Whistle :-](./images/smilies/eusa_whistle.gif)
More specifically, I disagree with this statement that you made:
bookworm wrote:If the character is this iconic, you don’t do something so bold the actual creator wouldn’t do it.
I do feel that being bold can definitely backfire, especially when you are dealing with a figure like Sherlock Holmes.
The Reichenbach Fall could have easily gone very wrong; however, I still believe that, in this case, Moffat's courage to do something like this worked out for the best. His bold story was inventive, clever, and worthy of Arthur Conan Doyle, imho.
I just happened to glance at that smiley, and I thought it was appropriate. xD