Classical Music Composers
- Clodius Albinus
- Smile for the camera
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Somewhat on point, this Washington Post feature is fascinating. The article is written by Gene Weingarten, a humorist / essayist who excels in understated, commentary-style humor. He's best known for having been the guy to hire Dave Barry, but the two are quite different: Barry mocks (and does a reasonably good job at it, incidentally), whereas Weingarten sets up amusing cultural experiments and reports. In this case, Weingarten talked the internationally acclaimed violinist Joshua Bell into a street performance to see how many people would stop to listen, and perhaps contribute a few dollars, to a man who can demand $100 for the cheap seats.
More directly on point, though of very little significance, I am dreadfully unfamiliar with classical music. I like it, but don't listen that often or recognize many of even the more prominent works. Lately, I've been taking advantage of the free version of Napster to listen to classical music while I read in the evening. This is far from ideal for music appreciation, but it's something, I suppose.
I'm somewhat embarrassed to say that I've never particularly appreciated Rachmaninoff's works. I don't dislike them, but would never have identified them as favorites, either. Sherlock Holmes's post provided the impetus for me to challenge these notions, and last night, I had the unique experience of reading Josef Joffe's Überpower: The Imperial Temptation of America while listening to Rachmaninoff's Sonata No. 2 and Concerto No. 3 as performed by Vladimir Horowitz. The pieces were significantly better than I expected; perhaps I should follow this thread closely for future listening ideas.
More directly on point, though of very little significance, I am dreadfully unfamiliar with classical music. I like it, but don't listen that often or recognize many of even the more prominent works. Lately, I've been taking advantage of the free version of Napster to listen to classical music while I read in the evening. This is far from ideal for music appreciation, but it's something, I suppose.
I'm somewhat embarrassed to say that I've never particularly appreciated Rachmaninoff's works. I don't dislike them, but would never have identified them as favorites, either. Sherlock Holmes's post provided the impetus for me to challenge these notions, and last night, I had the unique experience of reading Josef Joffe's Überpower: The Imperial Temptation of America while listening to Rachmaninoff's Sonata No. 2 and Concerto No. 3 as performed by Vladimir Horowitz. The pieces were significantly better than I expected; perhaps I should follow this thread closely for future listening ideas.
"I will show you fear in a handful of dust."
Well, at the very least, you appear to have successfully matched that particular classical selection with the tone of the reading (Rachmaninoff's music is nothing if not dramatic). One must acknowledge the little successes; this, I presume, is no excuse.Joseph Schumpeter wrote:....last night, I had the unique experience of reading Josef Joffe's Überpower: The Imperial Temptation of America while listening to Rachmaninoff's Sonata No. 2 and Concerto No. 3 as performed by Vladimir Horowitz. The pieces were significantly better than I expected; perhaps I should follow this thread closely for future listening ideas.
On a side note, allow me to also take the time to shamelessly plug Mozart's Requiem Mass in D minor which, of the parts that are actually attributed to Mozart, is considered one of his greatest works. The Wikipedia article is not to be confused with the popular film Amadeus, wherein, if I recall correctly, Antonio Salieri is credited as co-writing the Requiem symphony whilst Mozart was on his deathbead having allegedly been poisoned by Salieri himself. Needless to say, that particular theory is one born out of significant theatrical liberty and not any sort of factual underpinnings.
- dancer5678
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- dodobirdeee
- Gold Member
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- Follower of Christ
- Catspaw Rocks!
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Ah, I remember that article! Though I have never had the privilege to hear Joshua Bell in person, I have heard a few excellent performances in the New York Subway system including an excellent flautist, several violinists and some exceptionally unique break dancing. And, given the fact that the subways are so loud, I'd be hesitant to say that most of the people who stopped did so because they didn't recognize Bell's violin playing ... most probably couldn't hear!
As for the topic at hand, if anyone here has never heard Rachmaninov's Moment Musicaux N.4 you should remedy that immediately by visiting this link.
As for the topic at hand, if anyone here has never heard Rachmaninov's Moment Musicaux N.4 you should remedy that immediately by visiting this link.
